King).Pages 233-260 Multilayered Performers: The Takarazuka Revue as Media (Sonoko Azuma).Pages 261-281 Sounds and Sighs: “Voice Porn” for Women (Minori Ishida).Pages 283-299 Front Matter. Pages 207-207 A Dream Dress for Girls: Milk, Fashion and Shōjo Identity (Masafumi Monden).Pages 209-231 Sakura ga meijiru-Unlocking the Shōjo Wardrobe: Cosplay, Manga, 2.5D Space (Emerald L. Pages 107-107 Practicing Shōjo in Japanese New Media and Cyberculture: Analyses of the Cell Phone Novel and Dream Novel (Kazumi Nagaike, Raymond Langley).Pages 109-132 The Shōjo in the Rōjo: Fumiko Enchi’s Representation of the Shōjo Who Refused to Grow up (Sohyun Chun).Pages 133-153 Mediating Otome in the Discourse of War Memory: Complexity of Memory-Making Through Postwar Japanese War Films (Kaori Yoshida).Pages 155-179 Shōjo in Anime: Beyond the Object of Men’s Desire (Akiko Sugawa-Shimada).Pages 181-206 Front Matter. Pages 23-23 Romance of the Taishō Schoolgirl in Shōjo Manga: Here Comes Miss Modern (Alisa Freedman).Pages 25-48 Redefining Shōjo and Shōnen Manga Through Language Patterns (Giancarla Unser-Schutz).Pages 49-82 Shōjo Manga Beyond Shōjo Manga: The “Female Mode of Address” in Kabukumon (Olga Antononoka).Pages 83-105 Front Matter. Pages i-xix Introduction: Shōjo Mediations (Jaqueline Berndt).Pages 1-21 Front Matter.
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